"We could have gone with much bigger labels and more money, but we wanted to go with a company that is LA based, all in the same building, and really understands what the artists want"
About this Quote
There is a quiet flex hiding inside Adam Jones's supposed modesty. He frames the choice as turning down the shiny, obvious path "bigger labels and more money" to claim the harder-to-measure prize: control. In the music business, scale usually comes with distance. Jones counters that with a fetish for proximity: LA-based, all in the same building. It's less a real estate preference than a philosophy of power. When everyone is under one roof, you don't have to translate your art through layers of executives, marketing decks, and corporate risk-management. You can walk down the hall.
The subtext is a seasoned artist drawing a boundary around the work. "Understands what the artists want" is polite language for a deeper suspicion: most big labels understand what the market wants, and then pressure the artist to become it. Jones doesn't dramatize the usual horror stories (creative notes, radio-friendly edits, rollout politics). He just implies them by contrast, like a veteran who doesn't need to name the traps to make you feel the gravity.
Context matters here: Jones comes from a band culture where mood, pacing, and long-term vision outweigh quick churn. This quote reads like an argument for infrastructure that protects that kind of artistry - fewer middlemen, more accountability, and a team that treats the artist not as "content" but as the point. It's not anti-success; it's pro-leverage.
The subtext is a seasoned artist drawing a boundary around the work. "Understands what the artists want" is polite language for a deeper suspicion: most big labels understand what the market wants, and then pressure the artist to become it. Jones doesn't dramatize the usual horror stories (creative notes, radio-friendly edits, rollout politics). He just implies them by contrast, like a veteran who doesn't need to name the traps to make you feel the gravity.
Context matters here: Jones comes from a band culture where mood, pacing, and long-term vision outweigh quick churn. This quote reads like an argument for infrastructure that protects that kind of artistry - fewer middlemen, more accountability, and a team that treats the artist not as "content" but as the point. It's not anti-success; it's pro-leverage.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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