"We don't make movies for critics. I've done four movies; there's millions upon millions upon millions of people who've paid to see them. Somebody likes them. My greatest joy is to sit anonymously in a dark theater and watch it with an audience, a paying audience"

In this quote, filmmaker Michael Bay is underscoring the difference between vital recognition and popular success. He appears to stress that his primary focus is not on pleasing critics however on attracting a wider audience. Bay is understood for directing hit movies such as those in the "Transformers" series, which, while often not seriously admired, have actually attained significant box-office success. His recommendation to "millions upon millions" of viewers highlights that his films have drawn in big audiences, evidencing their broad appeal and business success.

Bay suggests that the monetary success of a film, shown by its ability to draw in paying audiences, is a more significant marker of achievement than critiques. His declaration suggests a belief that movie-making is eventually about getting in touch with the audience on a mass scale instead of receiving approval from a small group of critics. This sentiment is not unusual in the film industry, where there can typically be a divide in between commercially successful movies and those that are seriously acclaimed.

Furthermore, Bay's remark about experiencing the delight of watching his films "anonymously in a dark theater" with an audience highlights his gratitude for audience reactions and shared experiences. This remark suggests that for him, the magic of cinema depends on its ability to entertain and transport viewers, cultivate a common experience, and stimulate emotions, regardless of vital viewpoint. It shows a focus on the immersive and cumulative aspects of film-watching, focusing on the immediate feedback and engagement of individuals who consume his work.

In amount, Bay is emphasizing the worth of audience enjoyment and monetary success over crucial assessment, commemorating the direct connection between filmmaker and audience as the ultimate validation of a movie's worth.