"We have been trying to play a lot of different kinds of music, and probably the next album will go back more towards the direction where you couldn't classify each song as a certain kind of music. This album you can"
About this Quote
Mike Gordon is describing a band’s creative pendulum swing, but the real admission is about how classification sneaks in the moment you start “trying” to be versatile. The first half of the quote frames experimentation as abundance: lots of different kinds of music, genre tourism as a sign of curiosity. Then he pivots to a subtle critique of that very approach. If “this album you can” classify, the songs have hardened into categories - not because the band suddenly got less inventive, but because the choices became legible in a way that feels a little too neat.
The intent reads like expectation management for a fanbase that prizes the unnameable. In jam-band culture (and Phish’s ecosystem more broadly), the highest compliment is often that something escapes genre, that it lives in the seams between rock, funk, jazz, bluegrass, and whatever else gets melted down onstage. Gordon is hinting that the next record will chase that seam again: music that doesn’t present itself as “a reggae track,” “a ballad,” “a funk thing,” but as songs whose DNA is mixed enough to frustrate easy labeling.
The subtext is also about the difference between record-making and live identity. Albums freeze decisions; concerts blur them. By acknowledging that this album is classifiable, Gordon’s quietly naming a risk: when each track wears a clear costume, it can feel like pastiche or a playlist of exercises. His promise isn’t just variety - it’s coherence without a genre tag, the kind that sounds like a band rather than a catalog.
The intent reads like expectation management for a fanbase that prizes the unnameable. In jam-band culture (and Phish’s ecosystem more broadly), the highest compliment is often that something escapes genre, that it lives in the seams between rock, funk, jazz, bluegrass, and whatever else gets melted down onstage. Gordon is hinting that the next record will chase that seam again: music that doesn’t present itself as “a reggae track,” “a ballad,” “a funk thing,” but as songs whose DNA is mixed enough to frustrate easy labeling.
The subtext is also about the difference between record-making and live identity. Albums freeze decisions; concerts blur them. By acknowledging that this album is classifiable, Gordon’s quietly naming a risk: when each track wears a clear costume, it can feel like pastiche or a playlist of exercises. His promise isn’t just variety - it’s coherence without a genre tag, the kind that sounds like a band rather than a catalog.
Quote Details
| Topic | Music |
|---|
More Quotes by Mike
Add to List




