"We have made people in the industry and the people that see us aware that God loves them"
About this Quote
A lot is doing quiet work in that “we.” Della Reese isn’t just testifying; she’s claiming a kind of institutional wedge, a footprint made inside an industry that rarely rewards spiritual certainty unless it can be packaged as spectacle. The line reads like a mission report, but the real power is in its audience: “people in the industry” and “the people that see us.” That’s the two-way mirror of show business. There are the gatekeepers and co-workers who know the compromises up close, and there’s the crowd who only gets the polished version. Reese insists both groups need the same reminder, which is a subtle critique: fame can make you visible while still leaving you unseen.
The intent is pastoral, but it’s also reputational. Reese, who moved fluidly between music, television, and ministry, frames performance as outreach rather than self-promotion. She’s reassigning what celebrity is for: not proof of personal exceptionality, but a platform to distribute dignity. The phrase “made...aware” matters because it sidesteps coercion. She’s not claiming conversion stats; she’s claiming a shift in atmosphere, a moment where the default message of the entertainment machine (you’re only as valuable as your last hit, your last look) gets interrupted by something unconditional.
There’s steel under the sweetness. For a Black woman who built a long career in spaces that monetize image and minimize interior life, “God loves them” becomes both comfort and resistance: a refusal to let the industry be the final judge of anyone’s worth.
The intent is pastoral, but it’s also reputational. Reese, who moved fluidly between music, television, and ministry, frames performance as outreach rather than self-promotion. She’s reassigning what celebrity is for: not proof of personal exceptionality, but a platform to distribute dignity. The phrase “made...aware” matters because it sidesteps coercion. She’s not claiming conversion stats; she’s claiming a shift in atmosphere, a moment where the default message of the entertainment machine (you’re only as valuable as your last hit, your last look) gets interrupted by something unconditional.
There’s steel under the sweetness. For a Black woman who built a long career in spaces that monetize image and minimize interior life, “God loves them” becomes both comfort and resistance: a refusal to let the industry be the final judge of anyone’s worth.
Quote Details
| Topic | God |
|---|---|
| Source | Help us find the source |
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