"We have the notion that we exist but we have no way to prove it. 'I am' is the closest foundation we can get"
About this Quote
Brakhage, the avant-garde filmmaker who spent a career trying to make seeing feel new again, lands here on a statement that’s both brutally modest and quietly defiant. “We have the notion that we exist” admits the everyday confidence we walk around with; “but we have no way to prove it” punctures it with the kind of skepticism that haunts philosophy and, in Brakhage’s case, the camera lens. Film looks like evidence. It feels like proof. Yet it’s only light, time, and perception stitched into a persuasive illusion. His intent is less to despair than to clear the ground: if certainty is a mirage, the honest starting point is the raw pulse of presence.
“I am” isn’t presented as a triumphant creed; it’s a minimal footing, a last plank when everything else slips. The subtext is that art, especially cinema, can’t deliver objective truth any more than the mind can. What it can do is return us to the felt fact of being alive in a body that perceives: flicker, movement, color, breath. That’s why the line reads like a manifesto for his handmade, non-narrative approach. When you strip away plot, explanation, even conventional representation, you’re left with perception itself - unstable, unprovable, but undeniable in the moment you’re having it.
Context matters: Brakhage worked in a century obsessed with documentation (war footage, television, surveillance) while simultaneously learning that images lie with ease. His “closest foundation” is a refusal to pretend film can be more certain than consciousness; it’s also a dare to build anyway.
“I am” isn’t presented as a triumphant creed; it’s a minimal footing, a last plank when everything else slips. The subtext is that art, especially cinema, can’t deliver objective truth any more than the mind can. What it can do is return us to the felt fact of being alive in a body that perceives: flicker, movement, color, breath. That’s why the line reads like a manifesto for his handmade, non-narrative approach. When you strip away plot, explanation, even conventional representation, you’re left with perception itself - unstable, unprovable, but undeniable in the moment you’re having it.
Context matters: Brakhage worked in a century obsessed with documentation (war footage, television, surveillance) while simultaneously learning that images lie with ease. His “closest foundation” is a refusal to pretend film can be more certain than consciousness; it’s also a dare to build anyway.
Quote Details
| Topic | Truth |
|---|---|
| Source | Help us find the source |
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