"We have to be able to grow up. Our wrinkles are our medals of the passage of life. They are what we have been through and who we want to be"
About this Quote
In a business built to erase time, Lauren Hutton turns time into proof. The line lands like a quiet revolt against an industry that taught generations of women to treat their own faces as problems to be solved. Hutton isn’t merely endorsing “aging gracefully”; she’s reframing the entire aesthetic economy. Wrinkles, she argues, aren’t defects but credentials: earned, accumulated, and impossible to counterfeit.
The intent is plainspoken but pointed: grow up, stop negotiating with reality, stop outsourcing your self-worth to an airbrushed standard that always moves the goalposts. Calling wrinkles “medals” borrows the language of honor and survival, yanking aging out of the shame category and into the accomplishment category. Medals imply risk, effort, and consequence; they’re awarded after something hard. That’s the subtext: a life fully lived leaves marks, and pretending otherwise is its own kind of surrender.
Context matters. Hutton rose to fame in an era when modeling was beginning to professionalize into a global image machine, yet she became known for an offbeat naturalness that didn’t neatly fit the porcelain ideal. Coming from that vantage point, her statement doubles as cultural critique: if youth is the only acceptable story a face can tell, then experience becomes unspeakable. The final clause, “who we want to be,” tightens the argument. Aging isn’t just biography; it’s authorship. The face becomes a record of choices, not a canvas for erasure.
The intent is plainspoken but pointed: grow up, stop negotiating with reality, stop outsourcing your self-worth to an airbrushed standard that always moves the goalposts. Calling wrinkles “medals” borrows the language of honor and survival, yanking aging out of the shame category and into the accomplishment category. Medals imply risk, effort, and consequence; they’re awarded after something hard. That’s the subtext: a life fully lived leaves marks, and pretending otherwise is its own kind of surrender.
Context matters. Hutton rose to fame in an era when modeling was beginning to professionalize into a global image machine, yet she became known for an offbeat naturalness that didn’t neatly fit the porcelain ideal. Coming from that vantage point, her statement doubles as cultural critique: if youth is the only acceptable story a face can tell, then experience becomes unspeakable. The final clause, “who we want to be,” tightens the argument. Aging isn’t just biography; it’s authorship. The face becomes a record of choices, not a canvas for erasure.
Quote Details
| Topic | Aging |
|---|---|
| Source | Help us find the source |
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