"We have two American flags always: one for the rich and one for the poor. When the rich fly it means that things are under control; when the poor fly it means danger, revolution, anarchy"
About this Quote
Miller’s line treats the flag less as a shared symbol than as a weaponized prop, its meaning determined by who’s holding the pole. The bite is in the inversion: patriotism isn’t a stable value; it’s a mood ring for class power. When the rich display the flag, it reads as reassurance, a visual press release that the machinery of property and policing is humming along. The same cloth in poor hands becomes a threat, instantly reclassified as “danger” and “anarchy.” Miller isn’t arguing that the poor are inherently revolutionary; he’s exposing how quickly elites and institutions translate dissent into disorder to protect the status quo.
The subtext is about legitimacy. The rich are granted the default presumption of rational stewardship; their nationalism is coded as responsibility. The poor are granted suspicion; their nationalism is coded as contagion. It’s an accusation that American unity is conditional: you’re allowed to love the country so long as you don’t demand too much from it. Once grievance becomes visible, the flag’s inclusive myth collapses into a boundary marker: who counts as “real” Americans, who counts as a problem.
Context matters. Miller, a modernist with a lifelong allergy to bourgeois pieties, wrote through the shocks of the Great Depression, labor unrest, and the rise of mass propaganda. In that century, flags often traveled with strikebreakers and with strikers, with parades and with police batons. His cynicism lands because it names a durable American reflex: treating the comfort of the wealthy as “order,” and the desperation of the poor as “chaos,” even when both claim the same symbol.
The subtext is about legitimacy. The rich are granted the default presumption of rational stewardship; their nationalism is coded as responsibility. The poor are granted suspicion; their nationalism is coded as contagion. It’s an accusation that American unity is conditional: you’re allowed to love the country so long as you don’t demand too much from it. Once grievance becomes visible, the flag’s inclusive myth collapses into a boundary marker: who counts as “real” Americans, who counts as a problem.
Context matters. Miller, a modernist with a lifelong allergy to bourgeois pieties, wrote through the shocks of the Great Depression, labor unrest, and the rise of mass propaganda. In that century, flags often traveled with strikebreakers and with strikers, with parades and with police batons. His cynicism lands because it names a durable American reflex: treating the comfort of the wealthy as “order,” and the desperation of the poor as “chaos,” even when both claim the same symbol.
Quote Details
| Topic | Equality |
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