"We movie stars all end up by ourselves. Who knows? Maybe we want to"
About this Quote
A lonely confession disguised as a shrug: Bette Davis turns Hollywood glamour into something closer to a closed door clicking shut. The line works because it refuses sentimentality. “We movie stars” sounds communal, almost cozy, then immediately collapses into the stark endpoint: “all end up by ourselves.” That pivot mirrors the machinery of fame itself, which sells intimacy while manufacturing distance. Audiences think they know you; studios treat you as a product; even your peers become competitors. The pronoun “we” is a brief safety blanket before the chill of “by ourselves.”
The sly brilliance is in the escape hatch: “Who knows?” Davis performs uncertainty as armor. It’s a rhetorical half-smile that keeps the listener from pitying her too much. Then she tightens the knife with “Maybe we want to.” That final clause flips victimhood into agency, suggesting solitude isn’t only inflicted by the industry; it’s also chosen, even cultivated, as self-preservation. If everyone is trying to own a piece of you, aloneness can feel like the only form of privacy left.
Context matters: Davis came up in the studio era, when image was managed, contracts were controlling, and aging for women was treated like a career-ending scandal. She fought studios, sued Warner Bros., and built a public persona of toughness. Read through that history, the quote becomes less a lament than a diagnosis: stardom demands a kind of hardening, and hardening has social costs. Davis makes that trade-off sound less tragic than inevitable - and maybe, for a star who survived by willpower, preferable.
The sly brilliance is in the escape hatch: “Who knows?” Davis performs uncertainty as armor. It’s a rhetorical half-smile that keeps the listener from pitying her too much. Then she tightens the knife with “Maybe we want to.” That final clause flips victimhood into agency, suggesting solitude isn’t only inflicted by the industry; it’s also chosen, even cultivated, as self-preservation. If everyone is trying to own a piece of you, aloneness can feel like the only form of privacy left.
Context matters: Davis came up in the studio era, when image was managed, contracts were controlling, and aging for women was treated like a career-ending scandal. She fought studios, sued Warner Bros., and built a public persona of toughness. Read through that history, the quote becomes less a lament than a diagnosis: stardom demands a kind of hardening, and hardening has social costs. Davis makes that trade-off sound less tragic than inevitable - and maybe, for a star who survived by willpower, preferable.
Quote Details
| Topic | Loneliness |
|---|---|
| Source | Help us find the source |
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