"We never waste space saying, "On the one hand." We just state an opinion in a Godlike voice"
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A newsroom flex disguised as a confession: Christiansen is celebrating a kind of mid-century journalistic swagger that modern “nuance culture” would immediately side-eye. “We never waste space saying, ‘On the one hand’” isn’t just about column inches; it’s about authority. The phrase he rejects is the linguistic costume of humility, the signal that a writer is weighing competing claims. Christiansen’s alternative is to drop the pretension and embrace what editors have always quietly wanted: declarative copy that sounds inevitable.
The “Godlike voice” is the tell. He’s not praising objectivity; he’s naming the performance of it. A paper speaks best when it sounds like it has no author at all, only omniscient judgment. That omniscience is an editorial product: choices about what gets included, what gets trimmed, what gets framed as obvious. By calling it “Godlike,” Christiansen lets a little irony seep in. He knows the posture is absurdly grand. He also knows it sells.
Context matters: Christiansen came up in an era when mass-circulation papers treated the leader column and the front page as instruments of public mood, not footnoted seminars. Space was scarce, competition was fierce, and confidence was a market advantage. The subtext is a trade-off that still haunts media: clarity and force come easiest when you amputate complexity. The line lands because it’s both a boast and an admission that the voice of “truth” is often just the voice of edited certainty.
The “Godlike voice” is the tell. He’s not praising objectivity; he’s naming the performance of it. A paper speaks best when it sounds like it has no author at all, only omniscient judgment. That omniscience is an editorial product: choices about what gets included, what gets trimmed, what gets framed as obvious. By calling it “Godlike,” Christiansen lets a little irony seep in. He knows the posture is absurdly grand. He also knows it sells.
Context matters: Christiansen came up in an era when mass-circulation papers treated the leader column and the front page as instruments of public mood, not footnoted seminars. Space was scarce, competition was fierce, and confidence was a market advantage. The subtext is a trade-off that still haunts media: clarity and force come easiest when you amputate complexity. The line lands because it’s both a boast and an admission that the voice of “truth” is often just the voice of edited certainty.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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