"We perceive when love begins and when it declines by our embarrassment when alone together"
About this Quote
Love, for La Bruyere, isn’t a thunderclap of feeling; it’s a social weather report. The line is engineered like a small trap: it pulls romance out of the heart and puts it under the bright, humiliating light of manners. In a courtly world where people performed themselves for survival, “embarrassment” becomes a truer instrument than self-description. You can lie about desire; you can’t as easily lie about your body stalling, your conversation drying up, the sudden awareness of your hands.
The brilliance is the symmetry: beginnings and endings are measured by the same sensation. Early love makes you awkward because it’s too alive, too charged with possibility. Declining love makes you awkward because the shared script has disappeared and you’re left with the person again, unmediated, like an acquaintance you once knew how to entertain. Embarrassment is the residue of a relationship losing its roles.
There’s a mild cruelty in the observation, typical of a moralist who catalogs human behavior the way an entomologist pins specimens. He’s not romanticizing; he’s diagnosing. The subtext is that intimacy is fragile and, worse, legible: the couple knows before they admit it, because the room itself changes texture. Silence stops being comfortable and becomes conspicuous.
Written in late 17th-century France, amid salon culture and the etiquette economy of Louis XIV’s orbit, the quote also reads as a critique of love as performance. When the performance fails, the truth arrives as embarrassment: not a grand heartbreak, but a small social collapse.
The brilliance is the symmetry: beginnings and endings are measured by the same sensation. Early love makes you awkward because it’s too alive, too charged with possibility. Declining love makes you awkward because the shared script has disappeared and you’re left with the person again, unmediated, like an acquaintance you once knew how to entertain. Embarrassment is the residue of a relationship losing its roles.
There’s a mild cruelty in the observation, typical of a moralist who catalogs human behavior the way an entomologist pins specimens. He’s not romanticizing; he’s diagnosing. The subtext is that intimacy is fragile and, worse, legible: the couple knows before they admit it, because the room itself changes texture. Silence stops being comfortable and becomes conspicuous.
Written in late 17th-century France, amid salon culture and the etiquette economy of Louis XIV’s orbit, the quote also reads as a critique of love as performance. When the performance fails, the truth arrives as embarrassment: not a grand heartbreak, but a small social collapse.
Quote Details
| Topic | Love |
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