"We set out to capture what was happening, and then we cut that into the series"
About this Quote
The subtext is a defense of editorial power. "Capture" implies neutrality, but the second clause admits the real engine: selection. To "cut that into the series" is to confess that meaning doesn't arrive raw; it gets manufactured in the edit, in what you keep, what you compress, what you place side by side. It's also a subtle claim about authenticity in a culture that prizes it. Audiences want to feel like they're watching something observed rather than engineered, even when the engineering is the point.
Contextually, it fits a post-prestige-TV era where writers borrow documentary aesthetics - handheld realism, awkward pauses, banal workplace detail - to make constructed scenes feel discovered. It's a credo for shows that mine the everyday and then heighten it: the joke lands because it started as behavior, not punchline. The sentence is plain on purpose; it reads like production talk. That plainness is part of the persuasion: if it sounds unromantic, it sounds true.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Scott, Michael. (2026, January 17). We set out to capture what was happening, and then we cut that into the series. FixQuotes. https://fixquotes.com/quotes/we-set-out-to-capture-what-was-happening-and-then-74790/
Chicago Style
Scott, Michael. "We set out to capture what was happening, and then we cut that into the series." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/we-set-out-to-capture-what-was-happening-and-then-74790/.
MLA Style (9th ed.)
"We set out to capture what was happening, and then we cut that into the series." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/we-set-out-to-capture-what-was-happening-and-then-74790/. Accessed 12 Feb. 2026.



