"We should always remember that sensitiveness and emotion constitute the real content of a work of art"
About this Quote
Ravel’s line reads like a polite correction aimed at an era obsessed with craft as spectacle. Coming from a composer whose music is often praised for its clockwork precision and jewel-box orchestration, the insistence on “sensitiveness and emotion” lands with a sly edge: he’s defending the very thing critics sometimes assume his refinement lacks. It’s not anti-technique; it’s a warning about technique becoming the whole conversation.
The phrasing matters. “Should always remember” suggests a collective amnesia, a culture prone to mistaking difficulty for depth. “Real content” is the jab. Notes, colors, forms, even innovation are scaffolding; the payload is what the work makes a nervous system do. Ravel isn’t preaching sloppy sincerity. He’s arguing that emotion isn’t an accidental byproduct of art, it’s the point of the engineering. Sensitiveness, in particular, implies calibration: the composer as someone attuned to micro-shifts in timbre, pacing, and harmony, shaping feeling through restraint as much as through release.
Context sharpens the intent. Early 20th-century French music lived amid battles between Romantic overflow, Impressionist atmosphere, and the emerging modernist cult of structure. Ravel, frequently caricatured as “cold” compared to Debussy, turns the stereotype into a critique of the audience: if you only hear the surface polish, you’re listening like a technician, not a human. The subtext is almost ethical: art that forgets emotion becomes design; emotion without sensitivity becomes noise.
The phrasing matters. “Should always remember” suggests a collective amnesia, a culture prone to mistaking difficulty for depth. “Real content” is the jab. Notes, colors, forms, even innovation are scaffolding; the payload is what the work makes a nervous system do. Ravel isn’t preaching sloppy sincerity. He’s arguing that emotion isn’t an accidental byproduct of art, it’s the point of the engineering. Sensitiveness, in particular, implies calibration: the composer as someone attuned to micro-shifts in timbre, pacing, and harmony, shaping feeling through restraint as much as through release.
Context sharpens the intent. Early 20th-century French music lived amid battles between Romantic overflow, Impressionist atmosphere, and the emerging modernist cult of structure. Ravel, frequently caricatured as “cold” compared to Debussy, turns the stereotype into a critique of the audience: if you only hear the surface polish, you’re listening like a technician, not a human. The subtext is almost ethical: art that forgets emotion becomes design; emotion without sensitivity becomes noise.
Quote Details
| Topic | Art |
|---|
More Quotes by Maurice
Add to List




