Creativity Quote by Sarah McLachlan

McLachlan’s line carries the quiet swagger of someone who had to turn proof into policy. The phrasing matters: “showed the industry” frames sexism not as an abstract bias but as a market gatekeeping mechanism that only respects evidence when it’s profitable. She’s not asking for belief in women’s talent; she’s recounting the moment the ledger finally had to admit it.

The subtext is a rebuke to an old, convenient myth in popular music: that women are “niche,” their fans smaller or less loyal, their tours riskier. By invoking “the same audiences,” she targets the industry’s favorite excuse - scale. It’s not about artistry alone, but about crowd size, ticket sales, headline viability. That’s why the sentence lands with a businesslike punch: equality arrives via numbers, not goodwill.

Contextually, this reads as a Lilith Fair-era victory lap without the nostalgia glaze. McLachlan helped build a touring ecosystem where female artists weren’t isolated openers on male-led bills; they were the draw. The line also acknowledges the uphill logic women faced: male stardom was treated as the default, female success as an exception requiring constant revalidation.

There’s a second edge here, too: “could” suggests capability the industry refused to recognize until forced. McLachlan isn’t just celebrating women’s audiences; she’s naming the structural skepticism that made such a demonstration necessary in the first place.