"We still play Foreigner songs. I play the songs that I was involved in writing"
About this Quote
Then he narrows the frame: "I play the songs that I was involved in writing". That's not just a factual aside. It's authorship as boundary, a line drawn against the common rock-and-roll erasure where the frontman becomes a replaceable brand asset. Gramm isn't disowning the band; he's asserting provenance. In a legacy act ecosystem where multiple lineups can tour under the same name, songwriting credit becomes the closest thing to a birth certificate. The subtext is legal, moral, and emotional at once: I am not simply the voice you remember; I helped build the thing you're paying to relive.
The context matters because Foreigner's history is famously complicated-Foreigner as corporation, Foreigner as rotating cast, Foreigner as memory. Gramm positions himself as a custodian with receipts. It's an artist navigating the tension between serving the audience's hunger for the hits and resisting the industry's tendency to treat those hits like public property. The sentence is modest, but the message is sharp: the past is still in play, and I have a legitimate stake in it.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Gramm, Lou. (2026, January 17). We still play Foreigner songs. I play the songs that I was involved in writing. FixQuotes. https://fixquotes.com/quotes/we-still-play-foreigner-songs-i-play-the-songs-73217/
Chicago Style
Gramm, Lou. "We still play Foreigner songs. I play the songs that I was involved in writing." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/we-still-play-foreigner-songs-i-play-the-songs-73217/.
MLA Style (9th ed.)
"We still play Foreigner songs. I play the songs that I was involved in writing." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/we-still-play-foreigner-songs-i-play-the-songs-73217/. Accessed 22 Feb. 2026.

