"We take our children everywhere we go. I don't believe in having them and then leaving them to someone else to bring up"
About this Quote
Mansfield’s line lands like a glossy postcard from mid-century celebrity life, but the message is steelier than it first appears: she’s not just talking parenting logistics, she’s staking a moral claim. “We take our children everywhere” isn’t a cute anecdote; it’s a deliberate refusal of the era’s respectable arrangement where wealthy, working, or famous women outsourced childrearing to nannies and “help” while maintaining the illusion of effortless domesticity. Mansfield, routinely flattened into a bombshell caricature, uses this sentence to seize narrative control and announce seriousness on her own terms.
The phrasing matters. “I don’t believe in” frames her choice as principle, not preference. Then she sharpens it into an accusation: “having them and then leaving them to someone else to bring up.” The subtext is aimed at critics who treated public women as inherently negligent. Mansfield flips the script: if you want to judge her, fine, but judge her as a mother who is present, not as a pin-up who must be rescued from her own image.
There’s also an aspirational performance here. For a star whose career depended on mobility, “everywhere we go” collapses the split between set life and home life, insisting they can coexist. It’s both a defense and a brand: the sensual public persona paired with private responsibility, packaged as authenticity. In a culture eager to punish women for ambition, Mansfield sells attachment as agency.
The phrasing matters. “I don’t believe in” frames her choice as principle, not preference. Then she sharpens it into an accusation: “having them and then leaving them to someone else to bring up.” The subtext is aimed at critics who treated public women as inherently negligent. Mansfield flips the script: if you want to judge her, fine, but judge her as a mother who is present, not as a pin-up who must be rescued from her own image.
There’s also an aspirational performance here. For a star whose career depended on mobility, “everywhere we go” collapses the split between set life and home life, insisting they can coexist. It’s both a defense and a brand: the sensual public persona paired with private responsibility, packaged as authenticity. In a culture eager to punish women for ambition, Mansfield sells attachment as agency.
Quote Details
| Topic | Parenting |
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