"We used to listen to all the marvelous operas on records. Music was a very important part of our lives"
About this Quote
There’s a quiet flex in Charlotte Rae’s “we used to”: a whole cultural ecosystem tucked into a domestic verb. The line isn’t just nostalgia for “records,” it’s a snapshot of a pre-streaming attentiveness where music required ritual. You didn’t graze an endless feed; you put something on, committed, and let it take up space in the room. That’s why “marvelous operas” lands with such certainty. Rae isn’t pleading for opera’s relevance; she’s recalling a time when high culture could be ordinary, not as a status performance but as household weather.
The intent reads warmly personal, but the subtext is gently corrective. She’s reminding a modern listener that taste is built through repetition and proximity, not through algorithmic suggestion. “Music was a very important part of our lives” sounds simple, almost childlike, yet it carries a claim: art wasn’t background content. It was something you lived with, argued over, learned to recognize by ear. Records also imply scarcity and curation. You owned what you loved, and that ownership shaped identity in a way playlists rarely do.
Context matters: Rae came up in an era when mass media and “serious” music overlapped more than we remember, when opera on vinyl could sit alongside Broadway cast albums and radio standards. Her recollection quietly bridges class and access: you didn’t need a velvet seat at the Met to feel musically literate. You just needed a turntable, time, and the belief that listening counted.
The intent reads warmly personal, but the subtext is gently corrective. She’s reminding a modern listener that taste is built through repetition and proximity, not through algorithmic suggestion. “Music was a very important part of our lives” sounds simple, almost childlike, yet it carries a claim: art wasn’t background content. It was something you lived with, argued over, learned to recognize by ear. Records also imply scarcity and curation. You owned what you loved, and that ownership shaped identity in a way playlists rarely do.
Context matters: Rae came up in an era when mass media and “serious” music overlapped more than we remember, when opera on vinyl could sit alongside Broadway cast albums and radio standards. Her recollection quietly bridges class and access: you didn’t need a velvet seat at the Met to feel musically literate. You just needed a turntable, time, and the belief that listening counted.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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