"We wanted to sit down and conceptually work out songs"
About this Quote
The phrase has the soft thud of committee-room ambition: not “write songs,” but “sit down” and “conceptually work out” songs. Mike Lowry, a politician by trade, reaches instinctively for the language of process over the language of art. That’s the tell. The verb choice frames creativity as governance - something you schedule, workshop, and eventually shepherd into a deliverable. It’s a small sentence that inadvertently reveals a whole worldview: outcomes come from meetings, consensus, and careful framing.
The intent is likely earnest. “Conceptually” signals seriousness, a desire to elevate the work above mere jamming or inspiration. It implies structure, maybe even a moral or thematic agenda. Politicians are trained to think in terms of narratives that can survive scrutiny; “work out” suggests ironing contradictions, smoothing rough edges, getting to a version that can be presented without embarrassing surprises.
The subtext, though, is that art is being approached as messaging. Songs are treated like platforms: you begin with an idea, align on the concept, then craft something that communicates it. That’s not inherently cynical, but it hints at a certain suspicion of spontaneity - the fear that unplanned emotion can derail the point.
Context matters: a public figure talking about songwriting (or cultural collaboration) often performs relatability while maintaining managerial control. The line lands as a glimpse of how power learns to speak about creativity: with caution, with pre-approval baked in, and with the comforting fiction that meaning can be engineered if you just get the right people in the room.
The intent is likely earnest. “Conceptually” signals seriousness, a desire to elevate the work above mere jamming or inspiration. It implies structure, maybe even a moral or thematic agenda. Politicians are trained to think in terms of narratives that can survive scrutiny; “work out” suggests ironing contradictions, smoothing rough edges, getting to a version that can be presented without embarrassing surprises.
The subtext, though, is that art is being approached as messaging. Songs are treated like platforms: you begin with an idea, align on the concept, then craft something that communicates it. That’s not inherently cynical, but it hints at a certain suspicion of spontaneity - the fear that unplanned emotion can derail the point.
Context matters: a public figure talking about songwriting (or cultural collaboration) often performs relatability while maintaining managerial control. The line lands as a glimpse of how power learns to speak about creativity: with caution, with pre-approval baked in, and with the comforting fiction that meaning can be engineered if you just get the right people in the room.
Quote Details
| Topic | Music |
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