"We were using Brooke as an actress; she was playing different roles: a liberated woman, a teenager, a vamp"
About this Quote
The list of roles does the real cultural work. “A liberated woman” sounds like second-wave feminism repackaged as styling notes, an alibi that turns male-authored desire into empowerment. “A teenager” is the dangerous hinge, because it refuses to resolve the contradiction: she is both youthful and on display. “A vamp” completes the triangulation, dressing erotic charge in a classic Hollywood archetype that makes predation feel like nostalgia. The subtext is control through narrative: if she is “playing,” then the adults directing, photographing, and consuming her can pretend they’re simply appreciating craft.
Context matters: late-1970s/early-1980s fashion advertising was discovering that controversy is a distribution strategy, and Klein was building a brand on the frisson between minimalism and insinuation. The quote reads like a post hoc justification from a tastemaker who knows the edge was the point. It’s not an accident that the subject becomes plural roles while the author remains singular: he gets authorship; she gets costumes.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
| Cite | Cite this Quote |
Citation Formats
APA Style (7th ed.)
Klein, Calvin. (n.d.). We were using Brooke as an actress; she was playing different roles: a liberated woman, a teenager, a vamp. FixQuotes. https://fixquotes.com/quotes/we-were-using-brooke-as-an-actress-she-was-13471/
Chicago Style
Klein, Calvin. "We were using Brooke as an actress; she was playing different roles: a liberated woman, a teenager, a vamp." FixQuotes. Accessed February 3, 2026. https://fixquotes.com/quotes/we-were-using-brooke-as-an-actress-she-was-13471/.
MLA Style (9th ed.)
"We were using Brooke as an actress; she was playing different roles: a liberated woman, a teenager, a vamp." FixQuotes, https://fixquotes.com/quotes/we-were-using-brooke-as-an-actress-she-was-13471/. Accessed 3 Feb. 2026.





