"We worked as a team... I was one of the band"
About this Quote
That ellipsis does a lot of work: it’s not just a pause, it’s an escape hatch. "We worked as a team..". opens with the safest possible framing, the kind of language used in workplaces and PR statements when someone wants to sound cooperative without getting pinned down to specifics. Then comes the pivot: "I was one of the band". It’s a claim of ordinariness, almost a plea for it. Not the boss, not the architect, not the one who set the terms - just another body onstage.
For a music figure like Jonathan King, whose career is tangled up with power dynamics behind the scenes as much as pop sheen, that insistence matters. Bands are myth machines: they sell the fantasy of equal brothers (or siblings-in-sound), democratic creativity, shared responsibility. Saying "one of the band" tries to tap into that myth, borrowing the credibility and warmth of collective effort. It also subtly diffuses accountability. If everything was "team" and he was merely a member, then agency gets spread thin, decisions get blurred, and hierarchy conveniently disappears.
The line reads like reputation management in the grammar of camaraderie. It’s not about musicianship; it’s about positioning. The rhetorical move is familiar: swap a name for a plural, trade individual intent for group process, and let the romance of "the band" do the moral laundering. The subtext is less "we made music together" than "don’t isolate me from the group story."
For a music figure like Jonathan King, whose career is tangled up with power dynamics behind the scenes as much as pop sheen, that insistence matters. Bands are myth machines: they sell the fantasy of equal brothers (or siblings-in-sound), democratic creativity, shared responsibility. Saying "one of the band" tries to tap into that myth, borrowing the credibility and warmth of collective effort. It also subtly diffuses accountability. If everything was "team" and he was merely a member, then agency gets spread thin, decisions get blurred, and hierarchy conveniently disappears.
The line reads like reputation management in the grammar of camaraderie. It’s not about musicianship; it’s about positioning. The rhetorical move is familiar: swap a name for a plural, trade individual intent for group process, and let the romance of "the band" do the moral laundering. The subtext is less "we made music together" than "don’t isolate me from the group story."
Quote Details
| Topic | Teamwork |
|---|---|
| Source | Help us find the source |
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