"Wealth after all is a relative thing since he that has little and wants less is richer than he that has much and wants more"
About this Quote
Colton’s line is a neat little moral trap: it pretends to talk about money, then quietly moves the argument into desire, where the real accounting happens. “Wealth,” he insists, isn’t a pile of assets but a ratio - what you have divided by what you think you need. That’s a shrewd rhetorical maneuver, because it makes the reader complicit. If you feel defensive, it’s not because he insulted your bank balance; it’s because he questioned your appetites.
The phrasing is built for inversion. “He that has little and wants less” is a deliberately unglamorous figure, almost anonymous, yet Colton crowns him “richer.” The second character - “he that has much and wants more” - is the one we’d normally envy, but the sentence flips envy into pity. Colton isn’t romanticizing poverty so much as weaponizing comparison: the misery of “much” comes from the endless treadmill of “more.” It’s an early diagnosis of what we’d now call lifestyle inflation, status anxiety, and the way consumption turns into a moving target.
Context matters. Writing in the early 19th century, Colton is steeped in Christian-inflected moralism and a Georgian/Regency culture where social rank was visible, competitive, and expensive to maintain. The subtext: modernity is manufacturing new wants faster than it can produce contentment. His intent isn’t to shame comfort; it’s to relocate “riches” from the marketplace to the interior life, where the hardest luxury to buy is enough.
The phrasing is built for inversion. “He that has little and wants less” is a deliberately unglamorous figure, almost anonymous, yet Colton crowns him “richer.” The second character - “he that has much and wants more” - is the one we’d normally envy, but the sentence flips envy into pity. Colton isn’t romanticizing poverty so much as weaponizing comparison: the misery of “much” comes from the endless treadmill of “more.” It’s an early diagnosis of what we’d now call lifestyle inflation, status anxiety, and the way consumption turns into a moving target.
Context matters. Writing in the early 19th century, Colton is steeped in Christian-inflected moralism and a Georgian/Regency culture where social rank was visible, competitive, and expensive to maintain. The subtext: modernity is manufacturing new wants faster than it can produce contentment. His intent isn’t to shame comfort; it’s to relocate “riches” from the marketplace to the interior life, where the hardest luxury to buy is enough.
Quote Details
| Topic | Wealth |
|---|---|
| Source | Lacon, or Many Things in Few Words — aphorism by Charles Caleb Colton (commonly cited in his Lacon collection). |
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