"Well, I just said that Jesus and I were both Jewish and that neither of us ever had a job, we never had a home, we never married and we traveled around the countryside irritating people"
About this Quote
Kinky Friedman’s genius here is the casual blasphemy of the setup and the folksy shrug of the punchline. He drops “Jesus” into the sentence the way a bar storyteller drops a celebrity name: not to worship, but to puncture reverence and reclaim the myth as material. Pairing himself with Christ is obviously outrageous, yet he immediately grounds it in oddly specific, anti-hero details: Jewishness, joblessness, homelessness, bachelorhood, and the itinerant life. The holiness gets swapped for hustling.
The intent is less “I’m like Jesus” than “your idea of respectability is historically flimsy.” By listing the same traits that get modern people policed - steady work, property, marriage, settling down - he frames social conformity as a kind of religion, complete with its own saints and heretics. The kicker, “irritating people,” is the real self-portrait: prophet as professional nuisance, truth-teller as heckler. Friedman isn’t chasing martyrdom; he’s claiming the right to be annoying in public, and to be judged by the content rather than the résumé.
Context matters: Friedman’s whole persona sits at the intersection of outlaw country, Jewish identity in a Christian-coded America, and the comic tradition of using sacrilege to say something sincere. He’s also smuggling in a defense of the artist’s life: the wandering musician as a tolerated vagrant, useful only when entertaining. The line dares listeners to admit how quickly they’d side with the crowd that wanted Jesus to quiet down.
The intent is less “I’m like Jesus” than “your idea of respectability is historically flimsy.” By listing the same traits that get modern people policed - steady work, property, marriage, settling down - he frames social conformity as a kind of religion, complete with its own saints and heretics. The kicker, “irritating people,” is the real self-portrait: prophet as professional nuisance, truth-teller as heckler. Friedman isn’t chasing martyrdom; he’s claiming the right to be annoying in public, and to be judged by the content rather than the résumé.
Context matters: Friedman’s whole persona sits at the intersection of outlaw country, Jewish identity in a Christian-coded America, and the comic tradition of using sacrilege to say something sincere. He’s also smuggling in a defense of the artist’s life: the wandering musician as a tolerated vagrant, useful only when entertaining. The line dares listeners to admit how quickly they’d side with the crowd that wanted Jesus to quiet down.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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