"Well, I just wanted to be a person. I just wanted them to keep writing me as humanistic as possible"
About this Quote
The ache in Fisher Stevens's line is how modest the ask is: not to be celebrated, not even to be understood, just to be granted basic personhood on the page. Coming from an actor, it lands as both craft note and survival strategy. He’s talking about “writing” as an external force, a roomful of people with the power to decide whether a character gets interiority or becomes a punchline, a plot device, a type.
The specific intent is almost disarmingly practical: keep the character “humanistic,” meaning textured, contradictory, capable of tenderness and error. That’s actor-speak for “give me motives, not just mannerisms.” But the subtext is larger: Stevens is pushing back against an industry habit of reducing certain people to functions. The word “them” carries the quiet indictment. It’s not one bad script; it’s a system of shorthand, where identity stands in for personality and representation becomes a quota instead of a lens.
Contextually, Stevens’s career sits inside several decades of Hollywood’s uneven relationship with authenticity and complexity, especially for characters coded as “other.” Even when the surface politics improve, the deeper trap remains: characters can be “included” while still being flattened. His repetition of “I just wanted” underscores how often the bar is set at the floor. The line works because it’s not grandstanding; it’s a plea for dimensionality, which is another way of asking for dignity.
The specific intent is almost disarmingly practical: keep the character “humanistic,” meaning textured, contradictory, capable of tenderness and error. That’s actor-speak for “give me motives, not just mannerisms.” But the subtext is larger: Stevens is pushing back against an industry habit of reducing certain people to functions. The word “them” carries the quiet indictment. It’s not one bad script; it’s a system of shorthand, where identity stands in for personality and representation becomes a quota instead of a lens.
Contextually, Stevens’s career sits inside several decades of Hollywood’s uneven relationship with authenticity and complexity, especially for characters coded as “other.” Even when the surface politics improve, the deeper trap remains: characters can be “included” while still being flattened. His repetition of “I just wanted” underscores how often the bar is set at the floor. The line works because it’s not grandstanding; it’s a plea for dimensionality, which is another way of asking for dignity.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
More Quotes by Fisher
Add to List





