"Well I look for an accompanist that does his work well, this to begin"
About this Quote
A diva stereotype would have you expect mystique, tantrums, or metaphysics. Instead, Victoria de los Angeles opens with a disarmingly practical job description: “an accompanist that does his work well.” The slightly old-fashioned “this to begin” lands like a gentle but immovable boundary. Before artistry, before chemistry, before “inspiration,” there is competence.
The intent is almost managerial: to re-center the accompanist as a professional partner, not a decorative subordinate. De los Angeles knew that in classical vocal culture the singer gets the spotlight and the pianist gets the fine print. Her phrasing quietly resists that hierarchy. By defining “his work” as work, she dignifies the labor that audiences often treat as background texture. It’s also a subtle corrective to the romantic language singers sometimes use about collaboration; she’s not auditioning for a soulmate, she’s hiring a craftsperson.
The subtext is sharper: a singer’s freedom onstage is built on someone else’s reliability. A great accompanist tracks breath, anticipates rubato, cushions entrances, and recovers instantly when the human voice - famously moody, famously mortal - slips. “Does his work well” is not minimalism; it’s a high bar delivered without drama. Her calmness is the flex.
Context matters, too. De los Angeles came up in an era when rehearsal time was scarce, touring was punishing, and gendered expectations hung over “difficult” women artists. This line projects authority without aggression: a standard stated plainly, leaving no opening for anyone to call it vanity.
The intent is almost managerial: to re-center the accompanist as a professional partner, not a decorative subordinate. De los Angeles knew that in classical vocal culture the singer gets the spotlight and the pianist gets the fine print. Her phrasing quietly resists that hierarchy. By defining “his work” as work, she dignifies the labor that audiences often treat as background texture. It’s also a subtle corrective to the romantic language singers sometimes use about collaboration; she’s not auditioning for a soulmate, she’s hiring a craftsperson.
The subtext is sharper: a singer’s freedom onstage is built on someone else’s reliability. A great accompanist tracks breath, anticipates rubato, cushions entrances, and recovers instantly when the human voice - famously moody, famously mortal - slips. “Does his work well” is not minimalism; it’s a high bar delivered without drama. Her calmness is the flex.
Context matters, too. De los Angeles came up in an era when rehearsal time was scarce, touring was punishing, and gendered expectations hung over “difficult” women artists. This line projects authority without aggression: a standard stated plainly, leaving no opening for anyone to call it vanity.
Quote Details
| Topic | Music |
|---|
More Quotes by Victoria
Add to List






