"Well, I suppose that, in a sense, every screen role is a favourite with me"
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There is a disarming modesty in Sheridan's line, the kind that sounds like a shrug but lands like a philosophy of work. Asked to pick a single "favourite" role, she sidesteps the fan-magazine trap: the demand to turn a career into a ranking, a neat anecdote, a brand. Instead she offers a performer’s answer dressed up as politeness. "In a sense" is doing the heavy lifting, softening what is essentially a refusal to flatten her craft into a highlight reel.
The subtext is both gracious and canny. Gracious, because it grants each part a measure of affection, acknowledging the odd intimacy actors develop with roles that may have been brief, imperfect, or shaped by forces beyond them. Canny, because it protects her from the politics of preference. Naming a favorite can insult a director, diminish a co-star, or rewrite the public memory of work that audiences claim for themselves. For a mid-century British actress navigating studio systems and press expectations, neutrality reads as professionalism.
It also hints at an actor’s private truth: roles are less trophies than temporary homes. You move in, rearrange your emotional furniture, then move out and do it again. By framing every role as "a favourite" she converts a PR question into a statement about commitment - the idea that the job only works when you treat the part in front of you as worthy of full attention. The charm is that she makes discipline sound like warmth.
The subtext is both gracious and canny. Gracious, because it grants each part a measure of affection, acknowledging the odd intimacy actors develop with roles that may have been brief, imperfect, or shaped by forces beyond them. Canny, because it protects her from the politics of preference. Naming a favorite can insult a director, diminish a co-star, or rewrite the public memory of work that audiences claim for themselves. For a mid-century British actress navigating studio systems and press expectations, neutrality reads as professionalism.
It also hints at an actor’s private truth: roles are less trophies than temporary homes. You move in, rearrange your emotional furniture, then move out and do it again. By framing every role as "a favourite" she converts a PR question into a statement about commitment - the idea that the job only works when you treat the part in front of you as worthy of full attention. The charm is that she makes discipline sound like warmth.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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