"Well, I think that there is a connection between being a lawyer and a doctor and an actor. They kind of, in some ways, have the same appeal, I suppose"
About this Quote
Jones is doing that actor move where self-mythologizing hides inside modesty. He starts with "Well, I think" and keeps cushioning the claim with "kind of" and "in some ways" and "I suppose" - verbal bubble wrap that lets him float a grand comparison (actors alongside doctors and lawyers) without sounding arrogant. The intent isn't to equate social value so much as to name a shared seduction: authority, performance, and the promise of transformation.
All three professions sell outcomes people desperately want. A doctor sells relief. A lawyer sells vindication or protection. An actor sells feeling and meaning, often in two hours, for a ticket price. The subtext is that each role requires a public-facing mastery: you read a room, translate jargon into confidence, perform competence under pressure. Even the ethical stakes rhyme. Doctors and lawyers have formal codes; actors have informal ones - a responsibility to a story, an audience, a set. None of them can afford to look uncertain, even when they are.
Context matters: a mid-century American actor, raised in a culture that alternately worships and mocks performers, is reaching for a dignifying framework. It's also a quiet admission about craft. Acting isn't just "pretending"; it's research, diagnosis, argument. You build a case for a character. You take a script's symptoms and make them human. The line works because it smuggles a defense of acting into an offhand aside, the way a good performance hides labor behind ease.
All three professions sell outcomes people desperately want. A doctor sells relief. A lawyer sells vindication or protection. An actor sells feeling and meaning, often in two hours, for a ticket price. The subtext is that each role requires a public-facing mastery: you read a room, translate jargon into confidence, perform competence under pressure. Even the ethical stakes rhyme. Doctors and lawyers have formal codes; actors have informal ones - a responsibility to a story, an audience, a set. None of them can afford to look uncertain, even when they are.
Context matters: a mid-century American actor, raised in a culture that alternately worships and mocks performers, is reaching for a dignifying framework. It's also a quiet admission about craft. Acting isn't just "pretending"; it's research, diagnosis, argument. You build a case for a character. You take a script's symptoms and make them human. The line works because it smuggles a defense of acting into an offhand aside, the way a good performance hides labor behind ease.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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