"Well, in features, and in writing especially, it's often the style of the writer comes in"
About this Quote
Journalism pretends to be a window; Kurt Loder is reminding you it’s also a fingerprint. His line lands with the offhand shrug of someone who’s spent decades watching readers (and editors) demand “just the facts” while rewarding the writers who smuggle personality into the facts. The phrasing is telling: “Well” and “often” are hedges that sound modest, but the claim is blunt. In features - and “in writing especially” - style isn’t decoration; it’s the delivery system.
The subtext is a quiet argument against the fantasy of neutrality. A feature is built from selection, emphasis, pacing, and voice: what gets quoted, what gets cut, where a paragraph turns, when a scene breathes. Loder’s point is that those decisions don’t just reflect reality; they shape it. Even when the reporting is rock-solid, the writer’s sensibility frames the moral temperature of a story: who feels sympathetic, what feels absurd, what feels urgent.
Context matters here. Loder came up in the ecosystem of magazines and music journalism, where authority is earned not only through access and accuracy but through taste. In that world, voice is the brand and the ethical risk. Great style can sharpen perception; it can also glamorize, condescend, or quietly steer readers toward a conclusion that the sourcing alone hasn’t earned. Loder’s sentence isn’t a celebration or a warning so much as a professional truth: every “objective” feature is, inevitably, authored.
The subtext is a quiet argument against the fantasy of neutrality. A feature is built from selection, emphasis, pacing, and voice: what gets quoted, what gets cut, where a paragraph turns, when a scene breathes. Loder’s point is that those decisions don’t just reflect reality; they shape it. Even when the reporting is rock-solid, the writer’s sensibility frames the moral temperature of a story: who feels sympathetic, what feels absurd, what feels urgent.
Context matters here. Loder came up in the ecosystem of magazines and music journalism, where authority is earned not only through access and accuracy but through taste. In that world, voice is the brand and the ethical risk. Great style can sharpen perception; it can also glamorize, condescend, or quietly steer readers toward a conclusion that the sourcing alone hasn’t earned. Loder’s sentence isn’t a celebration or a warning so much as a professional truth: every “objective” feature is, inevitably, authored.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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