"Well, Italy had been overrun by the War, there had practically been civil war, north and south of the Gothic Line, heavy bombing, the northern industrial cities had been bombed heavily and we had political disorder before 1948"
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Italy isn’t being described here so much as it’s being strategically framed: as a battered terrain where normal rules of judgment don’t apply. Agnelli’s language does the work of a brief for the defense. “Overrun by the War” makes the conflict sound less like a set of choices and alliances than a flood sweeping through helpless geography. The passive construction (“had been bombed heavily”) politely obscures who did the bombing and why, shifting attention from accountability to aftermath.
The sentence is a careful stacking of injuries: civil war, the Gothic Line as a scar across the country, industrial cities flattened, then “political disorder before 1948.” That last clause matters. 1948 is the hinge year of the Italian Republic: the first decisive postwar election, Cold War pressure, the battle between Communist strength and Christian Democratic consolidation. By marking “disorder” as pre-1948, Agnelli sketches a before-and-after that quietly flatters the restoration of stability that benefitted industrial capital and the postwar business elite.
As a businessman, Agnelli is also narrating an origin story for the economic miracle and for Fiat’s role within it. If the country was in chaos, then rebuilding industry becomes not just profit-making but nation-making. The subtext is: don’t moralize from a distance; this was triage. It’s a memory shaped to justify pragmatism, smooth over uncomfortable wartime entanglements, and place order - the kind markets and factories like - as the hard-won endpoint of trauma.
The sentence is a careful stacking of injuries: civil war, the Gothic Line as a scar across the country, industrial cities flattened, then “political disorder before 1948.” That last clause matters. 1948 is the hinge year of the Italian Republic: the first decisive postwar election, Cold War pressure, the battle between Communist strength and Christian Democratic consolidation. By marking “disorder” as pre-1948, Agnelli sketches a before-and-after that quietly flatters the restoration of stability that benefitted industrial capital and the postwar business elite.
As a businessman, Agnelli is also narrating an origin story for the economic miracle and for Fiat’s role within it. If the country was in chaos, then rebuilding industry becomes not just profit-making but nation-making. The subtext is: don’t moralize from a distance; this was triage. It’s a memory shaped to justify pragmatism, smooth over uncomfortable wartime entanglements, and place order - the kind markets and factories like - as the hard-won endpoint of trauma.
Quote Details
| Topic | War |
|---|---|
| Source | Help us find the source |
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