"Well we took it apart scene by scene. We examined every sentence, every full stop, every comma. He has a most wonderful eye for detail, Roman, and you know, he's a very good artist"
About this Quote
Craft hides behind humility here: the speaker makes meticulousness sound like devotion, not control. By piling up “scene by scene… every sentence, every full stop, every comma,” Harwood turns punctuation into a moral practice. The list is comic in its extremity, but it’s also revealing: in this world, authority doesn’t always arrive as shouted orders. It arrives as process, as an insistence that meaning is manufactured at the granular level, where a comma can tilt a character’s soul.
The direct address to “Roman” matters. It’s intimate, almost conspiratorial, pulling a third party into the evaluation like a witness. That’s not just praise; it’s calibration of loyalty and taste. “You know” performs casual certainty, the verbal equivalent of a hand on the shoulder: we agree on what excellence looks like, and we agree on who gets to declare it.
Calling someone “a very good artist” after such forensic dissection carries a sly tension. Art is supposed to feel free; this is art achieved through scrutiny. Harwood, a playwright famously attuned to rehearsal rooms and power dynamics backstage, understands how creation is often a negotiated hierarchy. The compliment is real, but it also legitimizes the speaker’s own labor: if the artist is “wonderful,” then the painstaking dismantling becomes not nitpicking but necessary craft.
Subtext: admiration that doubles as possession. Context: the collaborative machinery of theater, where “detail” is both aesthetic ideal and the language people use to justify who gets the final say.
The direct address to “Roman” matters. It’s intimate, almost conspiratorial, pulling a third party into the evaluation like a witness. That’s not just praise; it’s calibration of loyalty and taste. “You know” performs casual certainty, the verbal equivalent of a hand on the shoulder: we agree on what excellence looks like, and we agree on who gets to declare it.
Calling someone “a very good artist” after such forensic dissection carries a sly tension. Art is supposed to feel free; this is art achieved through scrutiny. Harwood, a playwright famously attuned to rehearsal rooms and power dynamics backstage, understands how creation is often a negotiated hierarchy. The compliment is real, but it also legitimizes the speaker’s own labor: if the artist is “wonderful,” then the painstaking dismantling becomes not nitpicking but necessary craft.
Subtext: admiration that doubles as possession. Context: the collaborative machinery of theater, where “detail” is both aesthetic ideal and the language people use to justify who gets the final say.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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