"Well, when I did Underworld 2, I was in Vancouver for five months and I was reminiscent to be back up there"
About this Quote
Speedman’s line has the faintly charming clunkiness of an actor doing press while still half-living in the shoot. “Underworld 2” is the kind of franchise work where you spend months in a rain-slicked city pretending it’s a gothic nowhere, and Vancouver is famous for being exactly that: Hollywood’s reliable stand-in, a place designed to disappear behind the production. So when he says he was there “for five months,” the emphasis isn’t artistic fulfillment; it’s duration, routine, the slow domestication of a location into a temporary life.
The accidental tell is “I was reminiscent.” He likely means “nostalgic” or “reminded,” but the slip matters: it turns a straightforward memory into a mood. He isn’t delivering a clean anecdote; he’s signaling an emotional residue he can’t quite parse on command. That’s a familiar press-tour dynamic: you’re asked to package your experience into a neat sound bite, and what comes out is the unedited version of how it felt.
“Back up there” also carries an actor’s geography. Vancouver isn’t a destination, it’s a worksite you return to, like a seasonal job. The subtext is a mild gratitude for the steadiness of employment and the intimacy that forms on long shoots - cast camaraderie, repetitive days, the strange comfort of being far from home but fully scheduled. It’s not poetry; it’s the vernacular of someone whose career is built on temporary worlds, and who briefly missed one of them.
The accidental tell is “I was reminiscent.” He likely means “nostalgic” or “reminded,” but the slip matters: it turns a straightforward memory into a mood. He isn’t delivering a clean anecdote; he’s signaling an emotional residue he can’t quite parse on command. That’s a familiar press-tour dynamic: you’re asked to package your experience into a neat sound bite, and what comes out is the unedited version of how it felt.
“Back up there” also carries an actor’s geography. Vancouver isn’t a destination, it’s a worksite you return to, like a seasonal job. The subtext is a mild gratitude for the steadiness of employment and the intimacy that forms on long shoots - cast camaraderie, repetitive days, the strange comfort of being far from home but fully scheduled. It’s not poetry; it’s the vernacular of someone whose career is built on temporary worlds, and who briefly missed one of them.
Quote Details
| Topic | Nostalgia |
|---|---|
| Source | Help us find the source |
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