"We're actually doing something scripted that's totally, you know, we kind of know what's going on, however, we're having to live life and death as the art"

In this quote by Josh Holloway, the star and producer uses a nuanced reflection on the nature of performing arts, especially in the context of acting in scripted works. His declaration explores the dichotomy in between the certainty of a script and the unpredictability of life, highlighting how stars navigate this appealing area.

The expression "We're in fact doing something scripted" acknowledges the structured foundation of their work; in television, film, or stage efficiencies, scripts supply the discussion, scenes, and a roadmap for storytelling. Scripts dictate the sequence of events, the emotions to portray, and the interactions amongst characters. It implies a sense of control and predictability, which might suggest that the job is simple. However, the subsequent comment, "that's totally, you know, we kind of understand what's going on", presents a component of ambiguity. The use of "sort of" recommends that despite having a script, the journey of delivering a performance includes uncertainties and discoveries. This declaration bridges the prepared with the organic, hinting at the spontaneity stars bring to their functions.

The most engaging part of the quote is "we're needing to live life and death as the art". Here, Holloway elevates the conversation to the existential stakes of performance. The phrase "life and death" is metaphorical and might be analyzed as the emotional and psychological depths actors thrust themselves into to stimulate genuine representations. It suggests that even with known outcomes (the script), actors should immerse themselves fully, embodying their characters' experiences, feelings, and arcs as if they were living them. This immersion can parallel reality's unpredictability and intensity.

Holloway's insight highlights the star's dual difficulty: honoring the structured story while welcoming the user-friendly and emotive impulses needed to really inhabit a function. The art, for that reason, ends up being the actor's capability to balance comprehending the script's criteria with breathing credibility and life into their efficiencies.