"We're going to Puerto Rico, where we're gonna close. And we're so excited, we can't see straight"
About this Quote
There is something deliciously backstage about this line: it’s logistics dressed up as adrenaline. “We’re going to Puerto Rico, where we’re gonna close” is the blunt reality of show business travel - contracts, schedules, the inevitable end date - delivered with the no-nonsense clarity of someone who’s lived on tour buses and in dressing rooms. Then Rivera flips it into pure performer electricity: “we’re so excited, we can’t see straight.” The comic exaggeration isn’t just a cute idiom; it’s a survival skill. If you can’t turn “closing” into a thrill, you won’t last long in a profession built on constant goodbyes.
The subtext is a little more complicated than simple enthusiasm. Puerto Rico isn’t a random stop; it signals audience, identity, and a particular kind of cultural homecoming for a Latina star whose career unfolded in an industry that often treated Latinidad as a costume. Going there to “close” suggests a finale that’s also a return - ending the run in a place that can feel less like a market and more like a community.
Rivera’s intent, then, is part hype, part armor. She’s selling excitement because that’s the job, but she’s also revealing the performer’s paradox: endings can sting, so you sprint toward them like they’re openings. The line works because it lets both truths coexist in one breath - the businesslike finality of “close” and the giddy blur of being alive onstage right up to the last curtain.
The subtext is a little more complicated than simple enthusiasm. Puerto Rico isn’t a random stop; it signals audience, identity, and a particular kind of cultural homecoming for a Latina star whose career unfolded in an industry that often treated Latinidad as a costume. Going there to “close” suggests a finale that’s also a return - ending the run in a place that can feel less like a market and more like a community.
Rivera’s intent, then, is part hype, part armor. She’s selling excitement because that’s the job, but she’s also revealing the performer’s paradox: endings can sting, so you sprint toward them like they’re openings. The line works because it lets both truths coexist in one breath - the businesslike finality of “close” and the giddy blur of being alive onstage right up to the last curtain.
Quote Details
| Topic | Vacation |
|---|---|
| Source | Help us find the source |
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