"We're making this huge changeover from underground to more mainstream audiences. I don't know if we could ever repeat this type of feeling. We're really excited"
About this Quote
There is a particular rush in the moment right before a band stops being a secret, and Jon Crosby is naming it with the wary giddiness of someone watching a door swing open and wondering what gets left on the floor. The headline here is “huge changeover,” but the emotional engine is the next sentence: “I don’t know if we could ever repeat this type of feeling.” That’s not just excitement; it’s an admission that crossing into the mainstream is a one-way trip. You can chase bigger crowds, bigger budgets, bigger visibility, but you can’t manufacture that first-time velocity again.
The subtext is the classic alternative-music bargain: you want to be heard without becoming background noise. “Underground” signals intimacy, identity, and a kind of earned trust between artist and audience; “mainstream” promises scale and opportunity while threatening dilution, misreadings, and the accusation of “selling out.” Crosby doesn’t posture as above it. He frames the shift as happening to “we,” emphasizing collective momentum and maybe a little loss of control, as if the wave has already formed and they’re choosing whether to ride it or get crushed.
Contextually, this is the language of an era when subcultures were being rapidly absorbed by big radio, MTV rotation, and label machinery. Crosby’s excitement is real, but it’s edged with elegy: not for the music itself, but for the private electricity of being on the cusp, when everything feels possible and nothing has been priced yet.
The subtext is the classic alternative-music bargain: you want to be heard without becoming background noise. “Underground” signals intimacy, identity, and a kind of earned trust between artist and audience; “mainstream” promises scale and opportunity while threatening dilution, misreadings, and the accusation of “selling out.” Crosby doesn’t posture as above it. He frames the shift as happening to “we,” emphasizing collective momentum and maybe a little loss of control, as if the wave has already formed and they’re choosing whether to ride it or get crushed.
Contextually, this is the language of an era when subcultures were being rapidly absorbed by big radio, MTV rotation, and label machinery. Crosby’s excitement is real, but it’s edged with elegy: not for the music itself, but for the private electricity of being on the cusp, when everything feels possible and nothing has been priced yet.
Quote Details
| Topic | Music |
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