"We're not uncomfortable with it, and we've already been through enough of the music business where I'm not really worried that commercial success is going to in some way - we're already past saving, you know what I mean? It's too late for us"
About this Quote
Garcia’s genius here is the casual shrug that lands like a worldview. He’s talking about commercial success the way most musicians talk about bad weather: inconvenient, sometimes useful, not worth rearranging your soul over. The line “we’re already past saving” isn’t self-pity so much as veteran’s comedy. It frames the Grateful Dead as men who have already survived the industry’s conversion attempts - the radio formulas, the branding pressure, the expectation to turn a weird communal project into a product you can package and repeat.
The intent is defensive without sounding defensive. By insisting they’re “not uncomfortable,” he drains the usual rock authenticity panic of its melodrama. Commercial success won’t “in some way” corrupt them because the corruption narrative assumes there’s an innocent, pristine version of the artist to protect. Garcia implies that ship sailed years ago: they’ve been hustled, mythologized, misunderstood, and still kept playing. If there’s no purity left to lose, the market loses its leverage.
Subtextually, it’s also a sly reversal of the usual bargaining. Instead of pleading, “Don’t sell out,” he’s saying, “You can’t buy what we’re doing.” That matches the Dead’s real context: a band that made its center of gravity the live show, improvisation, and a fan ecosystem that operated like an alternate economy. When success arrives, it’s not a moral test; it’s just another condition to route around. The punchline is grim but liberating: too late to be saved, therefore too late to be owned.
The intent is defensive without sounding defensive. By insisting they’re “not uncomfortable,” he drains the usual rock authenticity panic of its melodrama. Commercial success won’t “in some way” corrupt them because the corruption narrative assumes there’s an innocent, pristine version of the artist to protect. Garcia implies that ship sailed years ago: they’ve been hustled, mythologized, misunderstood, and still kept playing. If there’s no purity left to lose, the market loses its leverage.
Subtextually, it’s also a sly reversal of the usual bargaining. Instead of pleading, “Don’t sell out,” he’s saying, “You can’t buy what we’re doing.” That matches the Dead’s real context: a band that made its center of gravity the live show, improvisation, and a fan ecosystem that operated like an alternate economy. When success arrives, it’s not a moral test; it’s just another condition to route around. The punchline is grim but liberating: too late to be saved, therefore too late to be owned.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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