"We're very lucky to be able to go back and reclaim something that was a very special part of all our lives"
About this Quote
Nostalgia, in Roger Andrew Taylor's mouth, isn’t a soft-focus daydream; it’s a strategic kind of gratitude. "We're very lucky" does more than express appreciation. It frames the whole project as contingent, hard-won, and a little improbable - the opposite of entitlement. For a band with a long public history and private fractures, luck is a polite way of acknowledging survival: of careers, friendships, and the audience’s patience.
"Go back and reclaim" is the real tell. Reclaiming implies something was lost or at least drifted out of reach - rights, identity, momentum, a sound, a sense of self before the industry calcified it into branding. It’s a word that turns memory into action. Not just revisiting the past, but taking it back on better terms, from whatever forces diluted it: time, tragedy, commercial expectations, even the members’ own evolving lives.
Then Taylor widens the emotional aperture: "a very special part of all our lives". That plural is crucial. This isn’t only about the band’s internal mythology; it’s a nod to fans who treat certain eras as personal landmarks. The phrasing is inclusive without being mawkish, a musician’s version of community organizing. He’s inviting listeners to participate in the restoration, signaling that the past being recovered isn’t museum glass - it’s still usable, still intimate, still alive enough to matter now.
"Go back and reclaim" is the real tell. Reclaiming implies something was lost or at least drifted out of reach - rights, identity, momentum, a sound, a sense of self before the industry calcified it into branding. It’s a word that turns memory into action. Not just revisiting the past, but taking it back on better terms, from whatever forces diluted it: time, tragedy, commercial expectations, even the members’ own evolving lives.
Then Taylor widens the emotional aperture: "a very special part of all our lives". That plural is crucial. This isn’t only about the band’s internal mythology; it’s a nod to fans who treat certain eras as personal landmarks. The phrasing is inclusive without being mawkish, a musician’s version of community organizing. He’s inviting listeners to participate in the restoration, signaling that the past being recovered isn’t museum glass - it’s still usable, still intimate, still alive enough to matter now.
Quote Details
| Topic | Nostalgia |
|---|---|
| Source | Help us find the source |
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