"We've always wanted to do it, something you could dance to, and deep down we always thought we could bring something to the table if we could do it, but the live shows always made us pull back and be a rock band"
About this Quote
There’s a familiar tug-of-war in Frank Iero’s phrasing: desire versus identity, the music you want to make versus the version of yourself the stage has trained you to be. “We’ve always wanted to do it” lands like a confession from inside a long-running band narrative, where experimentation is constantly flirting with expectation. The “it” is tellingly vague: danceable, groove-forward material that risks being read as a genre pivot, or worse, a betrayal of the tribe.
The quote’s emotional center is in the hedges: “deep down,” “thought,” “could.” That’s not uncertainty about talent; it’s caution about permission. Iero frames dance music as something they’d “bring something to the table” with, a defensive little pre-argument aimed at the gatekeepers who treat “rock band” as a sacred category rather than a working method. The subtext is that bands like his are often policed by their own mythology: sweat, volume, sincerity, catharsis. You can’t just add a beat; you have to renegotiate what the crowd came to feel.
Then comes the kicker: “the live shows always made us pull back.” Touring doesn’t just present the music, it edits it. If a song doesn’t translate to bodies in a room, it can start to feel like it doesn’t count. Iero’s line captures a common late-career realization: the stage can be a creative accelerator, but it can also be a conservative force, turning an artist into the most reliable version of themselves.
The quote’s emotional center is in the hedges: “deep down,” “thought,” “could.” That’s not uncertainty about talent; it’s caution about permission. Iero frames dance music as something they’d “bring something to the table” with, a defensive little pre-argument aimed at the gatekeepers who treat “rock band” as a sacred category rather than a working method. The subtext is that bands like his are often policed by their own mythology: sweat, volume, sincerity, catharsis. You can’t just add a beat; you have to renegotiate what the crowd came to feel.
Then comes the kicker: “the live shows always made us pull back.” Touring doesn’t just present the music, it edits it. If a song doesn’t translate to bodies in a room, it can start to feel like it doesn’t count. Iero’s line captures a common late-career realization: the stage can be a creative accelerator, but it can also be a conservative force, turning an artist into the most reliable version of themselves.
Quote Details
| Topic | Music |
|---|
More Quotes by Frank
Add to List

