"What could be more convincing, moreover, than the gesture of laying one's cards face up on the table?"
About this Quote
Nothing flatters us like the fantasy of full disclosure. Lacan’s image of “laying one’s cards face up on the table” borrows the moral glow of honesty from a gambling table: revelation as a clean, decisive gesture that supposedly ends suspicion. It’s a canny metaphor because it feels tactile and final. Face-up cards don’t argue; they just are. In everyday life, that’s the dream of transparency: show the whole hand, settle the question, move on.
Lacan’s point, though, is less a celebration than a trapdoor. “What could be more convincing” is not the same as “what could be more true.” He’s interested in why the performance of candor carries such hypnotic authority. In the analytic setting, the patient’s wish to be believed can masquerade as truth itself; confession can become a tactic, a way to control the scene by offering a neatly packaged self. The subtext is that sincerity is not evidence. Even when we “show everything,” what we show is still staged in language, shaped by what we want from the Other (the analyst, the lover, the public), and haunted by what we can’t or won’t know about ourselves.
Context matters: Lacan is writing in a tradition suspicious of the transparent subject. The unconscious doesn’t lie in wait like a hidden card you can simply flip. It speaks sideways-through slips, repetitions, and the very compulsion to prove you’re being straightforward. The most convincing gesture may be convincing precisely because it satisfies an audience’s craving for closure, not because it reaches the real.
Lacan’s point, though, is less a celebration than a trapdoor. “What could be more convincing” is not the same as “what could be more true.” He’s interested in why the performance of candor carries such hypnotic authority. In the analytic setting, the patient’s wish to be believed can masquerade as truth itself; confession can become a tactic, a way to control the scene by offering a neatly packaged self. The subtext is that sincerity is not evidence. Even when we “show everything,” what we show is still staged in language, shaped by what we want from the Other (the analyst, the lover, the public), and haunted by what we can’t or won’t know about ourselves.
Context matters: Lacan is writing in a tradition suspicious of the transparent subject. The unconscious doesn’t lie in wait like a hidden card you can simply flip. It speaks sideways-through slips, repetitions, and the very compulsion to prove you’re being straightforward. The most convincing gesture may be convincing precisely because it satisfies an audience’s craving for closure, not because it reaches the real.
Quote Details
| Topic | Honesty & Integrity |
|---|---|
| Source | Help us find the source |
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