"What gives the artist real prestige is his imitators"
About this Quote
The subtext is also defensive, even faintly amused. Stravinsky spent his career being accused of theft and pastiche: Russian folk materials, Baroque forms, then his neoclassical habit of “borrowing” like it was a compositional technique. After The Rite of Spring detonated in 1913, the shock quickly became vocabulary. His influence spread so fast it could start to feel like dilution. This quote flips the complaint into a metric: if others can copy you, you’ve already changed the rules enough to be copyable.
There’s a sly modernism here, too. Prestige isn’t moral purity or originality-as-virginity; it’s cultural traction. The great artist isn’t a hermit guarding a singular vision but a manufacturer of reusable parts: rhythms, textures, gestures, a way of organizing time. Imitators are the market signal, the evidence that your style has become legible, teachable, exportable. Stravinsky’s barb lands because it’s unsentimental about legacy: history remembers what can be replicated, not what merely claims to be new.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Stravinsky, Igor. (2026, January 17). What gives the artist real prestige is his imitators. FixQuotes. https://fixquotes.com/quotes/what-gives-the-artist-real-prestige-is-his-68960/
Chicago Style
Stravinsky, Igor. "What gives the artist real prestige is his imitators." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/what-gives-the-artist-real-prestige-is-his-68960/.
MLA Style (9th ed.)
"What gives the artist real prestige is his imitators." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/what-gives-the-artist-real-prestige-is-his-68960/. Accessed 12 Feb. 2026.






