"What I aspired to be and was not, comforts me"
About this Quote
Failure, in Oates's hands, isn’t a bruise to hide; it’s a strange kind of shelter. "What I aspired to be and was not, comforts me" flips the usual self-help script where unrealized ambition is treated like a personal debt. Oates frames the unlived self as a resource, not a regret: the person you didn’t become stays uncontaminated by compromise, aging, market pressures, and the slow erosion of ideals that comes with actually having to live as someone.
The syntax matters. "Aspired" implies intensity and hunger, but also distance; it’s a verb that acknowledges yearning without guaranteeing arrival. Then the pivot: "was not". Plain, final, almost blunt. She doesn’t say "failed to become", which would smuggle in shame. She says "was not", as if describing weather. That neutrality is the trick that turns the missed identity into comfort: if it’s not a moral indictment, it can be a kind of companionship.
For a novelist - especially one associated with psychological extremity and American ambition - the line reads as meta-commentary on craft. Writers traffic in counterfactual lives; the unlived self is narrative fuel, a standing reserve of possibility. There’s also a generational undertone: for someone who’s lived long enough to see ambitions narrow into biographies, comfort can come from what remains open-ended. The unrealized version of you can’t be disproven. It can still be brilliant, brave, unspoiled - and that, paradoxically, can make the life you did live feel less like a verdict.
The syntax matters. "Aspired" implies intensity and hunger, but also distance; it’s a verb that acknowledges yearning without guaranteeing arrival. Then the pivot: "was not". Plain, final, almost blunt. She doesn’t say "failed to become", which would smuggle in shame. She says "was not", as if describing weather. That neutrality is the trick that turns the missed identity into comfort: if it’s not a moral indictment, it can be a kind of companionship.
For a novelist - especially one associated with psychological extremity and American ambition - the line reads as meta-commentary on craft. Writers traffic in counterfactual lives; the unlived self is narrative fuel, a standing reserve of possibility. There’s also a generational undertone: for someone who’s lived long enough to see ambitions narrow into biographies, comfort can come from what remains open-ended. The unrealized version of you can’t be disproven. It can still be brilliant, brave, unspoiled - and that, paradoxically, can make the life you did live feel less like a verdict.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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