"What I did was I completed the half-hour film, but before really showing it, I wrote two more sections for a potential feature film which I didn't think would really happen, but at least I had it in case"
About this Quote
Jarmusch is describing the kind of pragmatic improvisation that passes for optimism in indie film: finish what you can, then quietly build the version of the future you’d like to have ready. The line looks casual, almost tossed off, but it’s really a small manifesto about how artists survive systems that don’t promise them anything. He completes a half-hour film (a “real” object, not just an idea), then resists the trap of treating it as finished and fixed. Before anyone even sees it, he extends it in his head and on the page, writing “two more sections” as if the project already has a longer life.
The subtext is contingency as strategy. Jarmusch admits he “didn’t think [a feature] would really happen,” which is both self-protective and shrewd: he lowers expectations to avoid heartbreak, while still preparing for the moment an opportunity appears. That’s the indie director’s version of insurance. When a programmer, backer, or festival slot suddenly asks, “What else do you have?” he can answer with structure, not desperation.
Context matters: Jarmusch emerged in a late-70s/80s American independent scene where credibility was built through finished work, but careers often turned on chance encounters and timing. His films are famously episodic and modular; the quote reveals that this wasn’t only an aesthetic choice but a production posture. Make the small thing undeniable, then leave a door open for it to become bigger. It’s not romantic. It’s how you keep making movies.
The subtext is contingency as strategy. Jarmusch admits he “didn’t think [a feature] would really happen,” which is both self-protective and shrewd: he lowers expectations to avoid heartbreak, while still preparing for the moment an opportunity appears. That’s the indie director’s version of insurance. When a programmer, backer, or festival slot suddenly asks, “What else do you have?” he can answer with structure, not desperation.
Context matters: Jarmusch emerged in a late-70s/80s American independent scene where credibility was built through finished work, but careers often turned on chance encounters and timing. His films are famously episodic and modular; the quote reveals that this wasn’t only an aesthetic choice but a production posture. Make the small thing undeniable, then leave a door open for it to become bigger. It’s not romantic. It’s how you keep making movies.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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