"What I like least is dealing with publishers who simply don't want collaborations regardless of their merit"
About this Quote
A working writer’s complaint rarely lands with this much quiet bite. Piers Anthony isn’t lamenting rejection in the abstract; he’s targeting a particular kind of gatekeeping: the publisher who won’t even consider collaboration as a category, no matter how strong the work is. The phrasing matters. “Simply don’t want” frames the obstacle as taste masquerading as policy, an aversion so reflexive it doesn’t need reasons. “Regardless of their merit” is the dagger: the usual comfort-blanket logic of publishing (quality rises) is exposed as secondary to branding, risk management, and control.
Anthony came up in an era when authorship was treated as a singular, marketable identity. Collaboration complicates that story. It muddies ownership, royalties, credit, and - more importantly in a marketing department’s eyes - the neat promise to readers that a book will deliver one recognizable voice. So the subtext isn’t “publishers are wrong about my book.” It’s “publishers are preserving an industrial workflow and a product narrative, even when it means turning down good work.”
There’s also a personal edge: Anthony’s career spans decades, genres, and shifting norms around co-writing, shared universes, and IP-driven storytelling. His frustration reads like an insider’s diagnosis, not an outsider’s tantrum. He’s arguing that collaboration can be an artistic tool and a pragmatic one, and that publishing’s suspicion of it isn’t aesthetic judgment - it’s institutional habit dressed up as standards.
Anthony came up in an era when authorship was treated as a singular, marketable identity. Collaboration complicates that story. It muddies ownership, royalties, credit, and - more importantly in a marketing department’s eyes - the neat promise to readers that a book will deliver one recognizable voice. So the subtext isn’t “publishers are wrong about my book.” It’s “publishers are preserving an industrial workflow and a product narrative, even when it means turning down good work.”
There’s also a personal edge: Anthony’s career spans decades, genres, and shifting norms around co-writing, shared universes, and IP-driven storytelling. His frustration reads like an insider’s diagnosis, not an outsider’s tantrum. He’s arguing that collaboration can be an artistic tool and a pragmatic one, and that publishing’s suspicion of it isn’t aesthetic judgment - it’s institutional habit dressed up as standards.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
More Quotes by Piers
Add to List





