"What I try to do probably doesn't come out. What I've worked out what I do - I might not be right - is to do something very personal, and then suddenly I look at it, up in the air. I blow it up and look at it and then I come down again - a better man"
About this Quote
Ray Davies is describing the strange mechanics of turning private feeling into public art: you start in the confessional, then you step back like an editor, a cartoonist, a stage director. The telling phrase is "probably doesn't come out" - the admission that intention and reception rarely align, especially in pop where a three-minute song has to carry a lifetime's worth of implication. He isn't promising authenticity as a brand; he's admitting its friction.
The method he "might not be right" about is a creative oscillation between intimacy and distance. "Something very personal" is the raw material, but the real work happens when he "blow[s] it up" and looks at it "up in the air": exaggeration, stylization, the vantage point of performance. That's classic Davies - the Kinks' best songs turn individual ache into social snapshot, widening a grievance into a whole neighborhood, a whole class system, a whole English mood. "Up in the air" also hints at the stage itself, or the way a record floats away from the maker once it's pressed and played.
The subtext is self-repair. He comes back down "a better man" not because art fixes everything, but because the process forces perspective: your mess becomes an object you can examine, even laugh at, even forgive. It's an ethic of craft over purity. The point isn't to deliver a diary entry; it's to translate it into something big enough to hold other people - and in doing so, to make yourself slightly more bearable to live with.
The method he "might not be right" about is a creative oscillation between intimacy and distance. "Something very personal" is the raw material, but the real work happens when he "blow[s] it up" and looks at it "up in the air": exaggeration, stylization, the vantage point of performance. That's classic Davies - the Kinks' best songs turn individual ache into social snapshot, widening a grievance into a whole neighborhood, a whole class system, a whole English mood. "Up in the air" also hints at the stage itself, or the way a record floats away from the maker once it's pressed and played.
The subtext is self-repair. He comes back down "a better man" not because art fixes everything, but because the process forces perspective: your mess becomes an object you can examine, even laugh at, even forgive. It's an ethic of craft over purity. The point isn't to deliver a diary entry; it's to translate it into something big enough to hold other people - and in doing so, to make yourself slightly more bearable to live with.
Quote Details
| Topic | Self-Improvement |
|---|
More Quotes by Ray
Add to List


