"What is a historian, anyway? It is someone who uses facts to record the development of humanity"
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Feuchtwanger’s question lands like a polite provocation: “What is a historian, anyway?” The shrugging “anyway” is doing real work, puncturing the pose of neutrality that clings to historical writing. He answers with a definition that sounds admirably sober - “someone who uses facts” - then quietly smuggles in a much larger claim: the historian doesn’t merely catalog events, but “record[s] the development of humanity.” That word “development” is the tell. It implies direction, progress, a storyline. Facts aren’t just gathered; they’re recruited into a narrative about what humans are becoming.
The intent is both a defense and a warning. As a novelist who built historical epics, Feuchtwanger is staking his own credibility in the borderlands between research and imagination. He’s also underscoring that “facts” don’t speak without a speaker. Selection, emphasis, framing - these are the historian’s real instruments, and they determine what counts as “humanity” in the first place: whose lives get elevated into the arc of development, whose suffering gets footnoted, whose agency gets erased.
Context sharpens the edge. Feuchtwanger, a German Jewish writer exiled by Nazism, watched propaganda weaponize “history” into destiny. Against that, his line insists on accountability: if historians are recording humanity’s development, they’re also shaping the moral record that future societies will inherit. The subtext is almost accusatory: you can hide behind facts, but you can’t hide from what your story of humanity is for.
The intent is both a defense and a warning. As a novelist who built historical epics, Feuchtwanger is staking his own credibility in the borderlands between research and imagination. He’s also underscoring that “facts” don’t speak without a speaker. Selection, emphasis, framing - these are the historian’s real instruments, and they determine what counts as “humanity” in the first place: whose lives get elevated into the arc of development, whose suffering gets footnoted, whose agency gets erased.
Context sharpens the edge. Feuchtwanger, a German Jewish writer exiled by Nazism, watched propaganda weaponize “history” into destiny. Against that, his line insists on accountability: if historians are recording humanity’s development, they’re also shaping the moral record that future societies will inherit. The subtext is almost accusatory: you can hide behind facts, but you can’t hide from what your story of humanity is for.
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| Topic | Knowledge |
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