"What is freedom? Freedom is the right to choose: the right to create for oneself the alternatives of choice"
About this Quote
Freedom, in MacLeish's framing, is less a door left ajar than a muscle you have to build. He refuses the softer, consumer-friendly definition of liberty as a menu of preexisting options. Instead he makes a sharper, more demanding claim: freedom is the right to choose, yes, but also the right to create the alternatives you choose from. The move is quietly radical. It shifts liberty from passive permission to active authorship.
That emphasis makes sense coming from a poet who lived through the century's big arguments about coercion: the Great Depression, world war, the propaganda state, the bureaucratic temptations of modern governance. In those environments, "choice" can be staged. Regimes and markets alike can hand you a curated set of options and call it autonomy. MacLeish's line exposes that trick. If the alternatives are pre-made by someone else, your freedom is already fenced in; you're choosing inside another person's imagination.
The subtext is also a defense of creative agency as civic agency. MacLeish doesn't romanticize freedom as solitary self-expression. He hints at a public right: the capacity to invent new political, economic, and moral possibilities when the old ones fail. That's poetry thinking like democracy. It treats the imagination not as an escape hatch but as infrastructure: the thing that prevents society from hardening into "take it or leave it."
The intent lands as both challenge and warning. If freedom includes making alternatives, then citizens can't outsource it. A culture that stops generating options - new stories, new policies, new ways of living - doesn't just get stuck. It becomes easier to manage.
That emphasis makes sense coming from a poet who lived through the century's big arguments about coercion: the Great Depression, world war, the propaganda state, the bureaucratic temptations of modern governance. In those environments, "choice" can be staged. Regimes and markets alike can hand you a curated set of options and call it autonomy. MacLeish's line exposes that trick. If the alternatives are pre-made by someone else, your freedom is already fenced in; you're choosing inside another person's imagination.
The subtext is also a defense of creative agency as civic agency. MacLeish doesn't romanticize freedom as solitary self-expression. He hints at a public right: the capacity to invent new political, economic, and moral possibilities when the old ones fail. That's poetry thinking like democracy. It treats the imagination not as an escape hatch but as infrastructure: the thing that prevents society from hardening into "take it or leave it."
The intent lands as both challenge and warning. If freedom includes making alternatives, then citizens can't outsource it. A culture that stops generating options - new stories, new policies, new ways of living - doesn't just get stuck. It becomes easier to manage.
Quote Details
| Topic | Freedom |
|---|---|
| Source | Help us find the source |
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