"What one hides is worth neither more nor less than what one finds. And what one hides from oneself is worth neither more nor less than what one allows others to find"
About this Quote
Breton writes like a man trying to dynamite the polite border between confession and costume. The line reads calm, even symmetrical, but its symmetry is a trap: it dares you to stop treating secrecy as moral theater. In his accounting, what you conceal isn’t automatically more “real” than what you reveal, and what you uncover isn’t automatically profound. The hidden and the found are equal in value because value, for Breton, isn’t located in the object but in the psychic charge around it: the desire to mask, the urge to excavate, the thrill of discovery.
The second sentence sharpens the blade. Hiding from oneself isn’t just privacy; it’s self-censorship, a kind of internal police force. Breton’s move is to tie that repression to performance: what you refuse to know about yourself will be “worth” exactly what you permit others to see. That’s not self-help; it’s an indictment of how identity gets negotiated in public. Your “truth” becomes a social contract, not an inner essence.
Context matters: Breton is the Surrealist organizer, the evangelist of automatism, dreams, and the unconscious as political and aesthetic fuel. Surrealism wanted to short-circuit rational gatekeeping and let the buried speak. So this isn’t a cozy defense of keeping secrets; it’s a warning that the most consequential hiding happens backstage, where you edit your own impulses to stay legible. The quote works because it flips the prestige of the hidden into a critique: secrecy isn’t depth, it’s a choice about which realities get to exist.
The second sentence sharpens the blade. Hiding from oneself isn’t just privacy; it’s self-censorship, a kind of internal police force. Breton’s move is to tie that repression to performance: what you refuse to know about yourself will be “worth” exactly what you permit others to see. That’s not self-help; it’s an indictment of how identity gets negotiated in public. Your “truth” becomes a social contract, not an inner essence.
Context matters: Breton is the Surrealist organizer, the evangelist of automatism, dreams, and the unconscious as political and aesthetic fuel. Surrealism wanted to short-circuit rational gatekeeping and let the buried speak. So this isn’t a cozy defense of keeping secrets; it’s a warning that the most consequential hiding happens backstage, where you edit your own impulses to stay legible. The quote works because it flips the prestige of the hidden into a critique: secrecy isn’t depth, it’s a choice about which realities get to exist.
Quote Details
| Topic | Honesty & Integrity |
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