"What sculptors do is represent the essence of gesture. What is important in mime is attitude"
About this Quote
Marceau draws a clean line between two silent arts that people often lump together: sculpture freezes motion; mime charges stillness with meaning. “The essence of gesture” is a sculptor’s job because stone and bronze can only hold the distilled outline of an action - the arc of a hand, the twist of a torso, the body caught mid-decision. Gesture is legible. It’s the sentence.
Mime, Marceau argues, lives one level deeper. “Attitude” isn’t posture as in good manners; it’s inner weather made visible. A raised shoulder can be defiance, fear, flirtation, fatigue. The same movement can read as comedy or tragedy depending on the invisible pressure behind it. That’s the subtext: mime is not about pantomiming objects; it’s about animating a point of view. The audience doesn’t just watch a body “do” something - they read a mind in motion.
Context matters here. Marceau came of age in postwar Europe, when language itself felt compromised: propaganda, nationalism, the limits of speech in the face of catastrophe. His signature character Bip survives by translating modern anxiety into precise physical choices. “Attitude” is how you smuggle emotion past words, how you make silence speak without turning it into a gimmick.
The quote also reads like a quiet manifesto against virtuosity for its own sake. Plenty of performers can execute clever “invisible wall” tricks. Marceau is insisting that technique is only the scaffolding; the real event is the stance the performer takes toward the world - the moral and emotional angle that makes a gesture worth watching.
Mime, Marceau argues, lives one level deeper. “Attitude” isn’t posture as in good manners; it’s inner weather made visible. A raised shoulder can be defiance, fear, flirtation, fatigue. The same movement can read as comedy or tragedy depending on the invisible pressure behind it. That’s the subtext: mime is not about pantomiming objects; it’s about animating a point of view. The audience doesn’t just watch a body “do” something - they read a mind in motion.
Context matters here. Marceau came of age in postwar Europe, when language itself felt compromised: propaganda, nationalism, the limits of speech in the face of catastrophe. His signature character Bip survives by translating modern anxiety into precise physical choices. “Attitude” is how you smuggle emotion past words, how you make silence speak without turning it into a gimmick.
The quote also reads like a quiet manifesto against virtuosity for its own sake. Plenty of performers can execute clever “invisible wall” tricks. Marceau is insisting that technique is only the scaffolding; the real event is the stance the performer takes toward the world - the moral and emotional angle that makes a gesture worth watching.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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