"What these books have conclusively proven is that the diffence between men and women is exactly 38 pages"
About this Quote
Scofield’s line lands like a deadpan curtain call: the grand, eternal “battle of the sexes” reduced to a petty, measurable nuisance - 38 pages. The joke works because it pretends to be empirical. “Conclusively proven” borrows the swagger of science and self-help certainty, then immediately undercuts it with something absurdly clerical, like he’s audited gender and found a minor accounting discrepancy.
The intent isn’t to deny difference; it’s to mock our hunger to systematize it. By making the gap a page count, Scofield punctures the macho and mystic narratives that insist men and women are separated by oceans of biology, psychology, or destiny. He’s also taking a swing at the publishing-industrial complex that packages gender as a solvable riddle: relationship manuals, pop psychology, “Mars and Venus” simplifications. If the difference is “exactly 38 pages,” then the whole enterprise starts to look like padding - a business model built on turning everyday misunderstandings into a bookshelf.
As an actor, Scofield’s authority here is tonal rather than theoretical. Performers live inside scripts; they understand how identity gets written, revised, and sold back to an audience. The subtext: we keep asking books to adjudicate intimacy because it’s safer than doing the messier work of listening. The punchline flatters and scolds at once: you can stop mythologizing gender, but you can’t outsource human complexity to a tidy chapter count.
The intent isn’t to deny difference; it’s to mock our hunger to systematize it. By making the gap a page count, Scofield punctures the macho and mystic narratives that insist men and women are separated by oceans of biology, psychology, or destiny. He’s also taking a swing at the publishing-industrial complex that packages gender as a solvable riddle: relationship manuals, pop psychology, “Mars and Venus” simplifications. If the difference is “exactly 38 pages,” then the whole enterprise starts to look like padding - a business model built on turning everyday misunderstandings into a bookshelf.
As an actor, Scofield’s authority here is tonal rather than theoretical. Performers live inside scripts; they understand how identity gets written, revised, and sold back to an audience. The subtext: we keep asking books to adjudicate intimacy because it’s safer than doing the messier work of listening. The punchline flatters and scolds at once: you can stop mythologizing gender, but you can’t outsource human complexity to a tidy chapter count.
Quote Details
| Topic | Witty One-Liners |
|---|
More Quotes by Paul
Add to List







