"What we call reality is an agreement that people have arrived at to make life more livable"
About this Quote
Reality, in Louise Nevelson's hands, isn’t a granite fact; it’s a negotiated truce. Calling it an "agreement" strips the world of its supposed neutrality and exposes the social engineering underneath everyday certainty. The line has the sly confidence of someone who spent a career turning discarded wood into imposing, almost liturgical structures: what looks fixed and monumental is often assembled, selected, and held together by collective consent.
The phrase "what we call" is doing heavy work. It implies that reality is partly a naming project, a linguistic and cultural framing that stabilizes experience. Nevelson isn’t arguing that nothing exists; she’s pointing out that what gets treated as real is filtered through a community’s need for coherence. The subtext is practical, not mystical: agreement isn’t about truth so much as livability. We decide, together, which fictions are useful enough to function as facts.
Context matters. Nevelson arrived in the U.S. as an immigrant, built a public persona as boldly as her black-painted assemblages, and worked in a modern art world obsessed with breaking old forms. For an artist whose materials were found, rejected, and recontextualized, "reality" would naturally feel provisional: the world is a pile of fragments until someone composes it. Her quote is also a quiet critique of authority. If reality is an agreement, then power lives in who gets to draft the terms - and whose version of "livable" becomes everyone else’s baseline.
The phrase "what we call" is doing heavy work. It implies that reality is partly a naming project, a linguistic and cultural framing that stabilizes experience. Nevelson isn’t arguing that nothing exists; she’s pointing out that what gets treated as real is filtered through a community’s need for coherence. The subtext is practical, not mystical: agreement isn’t about truth so much as livability. We decide, together, which fictions are useful enough to function as facts.
Context matters. Nevelson arrived in the U.S. as an immigrant, built a public persona as boldly as her black-painted assemblages, and worked in a modern art world obsessed with breaking old forms. For an artist whose materials were found, rejected, and recontextualized, "reality" would naturally feel provisional: the world is a pile of fragments until someone composes it. Her quote is also a quiet critique of authority. If reality is an agreement, then power lives in who gets to draft the terms - and whose version of "livable" becomes everyone else’s baseline.
Quote Details
| Topic | Truth |
|---|---|
| Source | Help us find the source |
More Quotes by Louise
Add to List








