"What we need is more women writers, writing for older women. There are some actresses who have production companies and create their own material, and I truly admire that"
About this Quote
Turner is naming a market failure with the plainspoken authority of someone who’s lived through it: the industry’s imagination narrows as women age, and the scripts narrow with it. The first sentence isn’t a polite request for “representation.” It’s an indictment of a storytelling economy that treats older women as a demographic to be ignored or, worse, a punchline. By specifying “women writers, writing for older women,” she draws a clean line between token inclusion and actual authorship. Visibility isn’t the same as voice; being cast isn’t the same as being written for with interiority, desire, contradiction, and consequence.
The subtext is partly labor politics. Acting is famously precarious, but for actresses the job market becomes punitive once youth is no longer the default selling point. Turner’s phrasing implies that the problem isn’t a shortage of talented performers; it’s a shortage of roles that assume older women are still the protagonists of their own lives. She’s also refusing the industry’s favorite alibi: “We’d make it if the audience wanted it.” Her point is that the audience can’t want what they’re never offered in serious quantity.
Her nod to actresses with production companies is admiration, yes, but it’s also a tactical blueprint. If the gatekeepers won’t greenlight complex stories about aging women, build a new gate. Underneath the compliment is a quiet warning: survival now requires structural power, not just good reviews.
The subtext is partly labor politics. Acting is famously precarious, but for actresses the job market becomes punitive once youth is no longer the default selling point. Turner’s phrasing implies that the problem isn’t a shortage of talented performers; it’s a shortage of roles that assume older women are still the protagonists of their own lives. She’s also refusing the industry’s favorite alibi: “We’d make it if the audience wanted it.” Her point is that the audience can’t want what they’re never offered in serious quantity.
Her nod to actresses with production companies is admiration, yes, but it’s also a tactical blueprint. If the gatekeepers won’t greenlight complex stories about aging women, build a new gate. Underneath the compliment is a quiet warning: survival now requires structural power, not just good reviews.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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