"Whatever had been on the radio in the '60s; I mean we were always listening to the radio"
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There is something disarmingly plain about Tom Araya reaching back to the '60s and landing not on a sacred playlist but on a habit: "we were always listening to the radio". For a musician best known for turning speed, violence, and precision into thrash metal architecture, the line quietly refuses the mythology that heavy music is born in isolation or in opposition to "mainstream" culture. Araya frames influence as atmosphere, not ancestry. The radio isnt a curator here; its weather.
The specific intent feels less like name-dropping favorite bands and more like describing a childhood ecosystem. In the pre-streaming era, the radio was omnipresent and indiscriminate, a shared pipeline of pop, rock, news, commercials, and local chatter. "Whatever had been on the radio" signals a kind of accidental education: you absorb melody, structure, and attitude without choosing it, then you mutate it later. That casual shrug is the point. It undercuts the rock-critic impulse to draw clean genealogies, as if Slayer sprang fully formed from a single influential record.
Subtextually, Araya is also hinting at class and access. Always listening suggests limited options, a family or neighborhood where entertainment came through the same speaker everyone else had. That makes his later extremity feel less like rebellion for rebellions sake and more like evolution: take the mass culture you couldnt avoid, push it past its polite limits, and make something that finally sounds like your own nervous system.
The specific intent feels less like name-dropping favorite bands and more like describing a childhood ecosystem. In the pre-streaming era, the radio was omnipresent and indiscriminate, a shared pipeline of pop, rock, news, commercials, and local chatter. "Whatever had been on the radio" signals a kind of accidental education: you absorb melody, structure, and attitude without choosing it, then you mutate it later. That casual shrug is the point. It undercuts the rock-critic impulse to draw clean genealogies, as if Slayer sprang fully formed from a single influential record.
Subtextually, Araya is also hinting at class and access. Always listening suggests limited options, a family or neighborhood where entertainment came through the same speaker everyone else had. That makes his later extremity feel less like rebellion for rebellions sake and more like evolution: take the mass culture you couldnt avoid, push it past its polite limits, and make something that finally sounds like your own nervous system.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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