"Whatever may be said as to our relations to some other countries, I think the relations of this country to Spain offer no ties of gratitude or of blood"
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Lodge’s line is a cold-blooded piece of rhetorical triage: it sorts America’s foreign obligations into the ones that “count” and the ones that don’t, then quietly clears the moral ledger. By invoking “gratitude” and “blood,” he draws on two emotionally loaded currencies of diplomacy - debts owed for past help, and kinship owed through shared ancestry. Spain, he argues, has neither claim. That’s not just history; it’s permission.
The subtext is about narrowing the public’s sense of responsibility so intervention can be framed as choice rather than burden. If there are “ties,” then restraint can look like betrayal; if there are none, action can be sold as rational, even hygienic. Lodge was writing in the thick of late-19th-century American expansionism, when the Spanish empire was weakening and U.S. elites were debating whether the country should step onto the world stage as an imperial power. Stripping Spain of sentimental standing made it easier to present conflict as unencumbered by complicating loyalties.
The language also smuggles in a hierarchy of nations. “Blood” signals an Anglo-centric worldview: some countries are implicitly closer, more familiar, more deserving of empathy. Spain is positioned as outside the family, outside the club. Lodge’s intent isn’t merely to describe relations; it’s to manage the audience’s moral instincts, pruning empathy to make room for power politics.
The subtext is about narrowing the public’s sense of responsibility so intervention can be framed as choice rather than burden. If there are “ties,” then restraint can look like betrayal; if there are none, action can be sold as rational, even hygienic. Lodge was writing in the thick of late-19th-century American expansionism, when the Spanish empire was weakening and U.S. elites were debating whether the country should step onto the world stage as an imperial power. Stripping Spain of sentimental standing made it easier to present conflict as unencumbered by complicating loyalties.
The language also smuggles in a hierarchy of nations. “Blood” signals an Anglo-centric worldview: some countries are implicitly closer, more familiar, more deserving of empathy. Spain is positioned as outside the family, outside the club. Lodge’s intent isn’t merely to describe relations; it’s to manage the audience’s moral instincts, pruning empathy to make room for power politics.
Quote Details
| Topic | Peace |
|---|---|
| Source | Help us find the source |
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